“Blackout” by Jeffrey Ricker from Night Shadows: Queer Horror (Bold Strokes Books 2012). Edited by Greg Herren and J.M. Redmann.
It probably shouldn’t be surprising that the recurring evil in this anthology is the villain from the Scooby Doo cartoons. You know who I mean. “Why, it’s old man Caruthers! He was trying to run you off so he wouldn’t have to split the inheritance with you!”
To which old man Caruthers invariably would reply, “That’s right! I was here first! It’s my money, not yours! And I would’ve gotten away with it, too, if it wasn’t for those pesky kids!”
Well, kids, he’s at it again in this story. Jason is holed up in the creaky farmhouse he and his partner David purchased a little over a year earlier. Almost immediately we’re told that David died a year after they moved in, which tells us his death was very recent, and this is the story of a man in the depths of despair.
There’s a second recurring theme to this anthology, and that’s that some people live too long. Old man Caruthers—in this story Dan Richards, who owned Jason and David’s house before they did—cannot adapt, and so grows brittle and bitter as his world inevitably changes with time. He lived happily in the house for forty years until his wife Abby got cancer and died. Her death destroyed him. Which begs the question: Will David’s death destroy Jason?
He has a support group, notably David’s sister Katie, who is not nearby, and Jane and Mark, who are. They live down the lane and are very nice neighbors. The trouble is, they were nice neighbors to Dan Richards, too, and it didn’t make any difference. He pulled away from them. Eventually they called the authorities, who found Dan in the house, dead for approximately a week. The real beast of this story lies within.
The story artfully re-visits key moments from the past to show the reader that trouble (whether real or all in Jason’s mind) started right after they began renovating the kitchen. Jason kept running into unexplainable icy drafts David never felt. He became uncomfortable being alone in the house. He perceived that another presence did not want them in the house, but he hung in there, for David. Then David was killed in a freak accident, only Jason doesn’t believe it was an accident at all.
Once you have that piece of information, you’re all set. Jason’s just returned from the funeral, he’s alone in the house, and there’s a blizzard closing in. Will he listen to Katie, Jane and Mark and leave the house to re-start his life? Or will he be inflexible, hunker down in his grief, and, depending on your worldview, either succumb to depression or be killed by a ghost?
A final thought. One line from this jumped out at me: “Jason wanted to believe he could feel David’s presence, but in truth all he felt was chilled, and it dawned on him that the house had grown colder since he started his task.” Another of the author’s short stories, “Tea”, was about surviving the loss of a lover, his novel Detours dealt with the benevolent ghost of the main character’s mother, and similar themes run through his second novel, The Wanted. The emphasis in the above sentence caused me to recall a recent moment from the PBS series “Finding Your Roots”, in the episode about filmmaker Ken Burns. His mother was gravely ill during his childhood and died while he was still young, and he mentions to the show’s host that a friend of his once remarked, because he’s made it his life’s work to dig up the past and tell the stories of people long dead, “Who are you really trying to wake up?”